
Beagles and Ramsay
'72 Blows to Babylon Baby's Head' photo: Norman James Hogg more images
available on our Flickr page
ARTISTS
Debjani Banerjee, Beagles and Ramsay, Mark Briggs, Dan Brown, Sandy
Christie and Emily Fogarty, Neil Clements, Craig Coulthard, Joe Devlin,
Keith Farquhar, John Farrugia, Tommy Grace, Oliver Herbert, Jenny
Hogarth and Kim Coleman, Jonathan Hood, Dean Hughes, Lucy Keany,
Tessa Lynch, David Mackintosh, Keith MacIsaac, Neil Mulholland, John
Mullen, Francesca Nobilucci, Katie Orton, Steve Ovett, Martin Vincent
SHOW TEXT
Before attaching the final panel to the central monolith we send
the slightest member of our group through the hatch to check over the timing
devices and debrief the one whose voluntary incarceration has left us dumb
with admiration and gratitude. Armed with a torch and inventory she calls
out items for us to check against the installation plan.
The pewter flasks containing the most essential ingredients are aligned,
with pious symmetry, along the shelf of the north-facing wall. Beards of
classical antiquity, restyled in the spirit of late modern pedagogy, wave
gently in the updraft from the cooling apparatus of twenty idling desktop
units. Every cable is double checked to ensure robust connectivity. They
must quadruple loop according to a strict code of symbolism mirroring the
greater Order of Things passed down to us from the celestial membrane. One
artefact a millimetre out of alignment could subvert fusion and ruin months
of painstaking research.
Against the south facing wall of our makeshift pyxis stands a heavily
customised pick’n’mix unit ceremoniously lifted from the
local Woolworths outlet seconds before its Sublimation. This re-jigged
mechanism will inject
carefully measured compounds of sour fuel to the machine at the heart
of our hidden exhibit. The Counter-Euclidean Falsifier. At 8pm on the
27th March
the standby LED on the device will turn green. What happens next will
become an irrelevance. What happens before will become a crystalline
trace-labyrinth
of hauntological permanence. So it goes.
Our systems checker calls out and we tick the final box. We retire respectfully
while our representative has a final conference with the celebrity operant
who will maintain solemn vigil over the experimental proceedings. The
Embassy’s
selfless guest arrived at noon today dressed with typically flamboyant eccentricity—as
a wheelchair bound plague doctor. We ushered her respectfully inside the
monolith and watched as she placed vile taints on ever corner of her new
territory. After testing a few levers and typing some code with the tip of
her leather beak she indicated her satisfaction with a curt nod. We placed
blankets on her lap, an M&S fruit basket at her feet and applied
the humane restraints. At one final request we fastened an un-ripened
Belladonna
to her lapel.
We listen now to the soft murmurs of conversation emitting from the chamber.
The fourth committee member emerges, using her clipboard to waft clouds of
foul incense from her ashen face. We are ready to seal the chamber now and
so unwrap a cloth containing screwdrivers anointed with Horker Tusk, Hound
Meat and Bungler's Bane to deflect cross-enchantment. With the last section
of plasterboard in place we head across the road for a well earned baked
potato.
When we return we begin work on installing the external exhibition.
EMBASSY
25/03/09
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